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Yes, of course, “No Way Home” is incredibly calculated, a way to make more headlines after killing off so many of its event characters in Phase 3, but it’s also a film that’s often bursting with creative joy.ĭirector Jon Watts and his team have delivered a true event movie, a double-sized crossover issue of a comic book that the young me would have waited in line to read first, excitedly turning every page with breathless anticipation of the next twist and turn. There was a playful unpredictability to them that has often been missing from modern superhero movies, which feel so precisely calculated. The best of “Spider-Man: No Way Home” reminded me why I used to love comic books, especially the ones about a boy named Peter Parker.